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Thoughts
Project type
PERFORMANCE
Date
2003
Location
Pula
koncept/concept: Aleksandra JANEVA
asistent/assistant: Oliver IMFELD
koreografija i izvedba/choreography and performance: Darija DOŽDOR [ZPA], Iva HLADNIK, Silvija MARCHIG, Roberta MILEVOJ, Zrinka šimičić
glazba/music: Hrvoje NIKŠIĆ, Sven PAVLOVIć
kostimi/costume: HreliĆ i Aleksandra Janeva/local flee market and Aleksandra Janeva
oblikovanje svjetla/lighting design: Miljenko BENGEZ fotografija/photography: Jasenko RASOL produkcija: Istarsko narodno kazalište i Plesni studio Liberdance/production: Istrian National Theatre and Dance Studio Liberdance
We live in a world of events and objects and it is only our reaction to that world that is responsible for the creation of thought. As soon as we have an experience, we begin to express it with words. With this expression of experience
through the symbols of words, thoughts are realized. That reaction, that habit of expressing experiences through words, through thoughts, suffocates experience, realization, vision. The experience is suppressed, vision is suppressed and only words remain to roam the mind. And it is these very words that are our thoughts. And how can we understand each other if I place value and meaning known only to me in the word I pronounce, while the one who hears it must accept it with value and meaning inherent to it, to the world as they know it... we think we understand each other, but we never do. This dance production had its start at a workshop that continued the exploration of the physical expression of different emotional states begun in Janeva's production of Persen.
Živimo u svijetu događaja i objekata, a samo naša reakcija na taj svijet odgovorna je za stvaranje misli. Čim doživimo neko iskustvo, počinjemo ga izražavati riječima. S ovim izražavanjem iskustva kroz simbole riječi, misli se ostvaruju. Ta reakcija, ta navika izražavanja iskustava riječima, mislima, guši samo iskustvo, spoznaju, viziju. Iskustvo se potiskuje, vizija se potiskuje i samo riječi ostaju lutati umom. A upravo te riječi su naše misli. I kako se možemo razumjeti ako ja stavljam vrijednost i značenje poznato samo meni u riječ koju izgovaram, dok onaj koji je čuje mora prihvatiti njezinu vrijednost i značenje inherentno njemu, svijetu kakvog on poznaje... mislimo da se razumijemo, ali zapravo nikada ne. Ova plesna produkcija započela je na radionici koja je nastavila istraživanje tjelesnog izražavanja različitih emocionalnih stanja započetog u Janevinoj produkciji Persen.
