4

2001 “4”
4 was derived from the continuity of the first motif – from the nature of a single movement. It initiates a sequence that develops, changes, and transfers from body to body, creating a constant interaction between four dancers who produce variations of the same motif, gradually separating from its recognizable origin. The body functions within the logic of mechanics, driven by the connection of four elements that together form a machine dependent on a constant and unchanging axis – an object in space. Mechanical thinking becomes a challenge, body parts serve as tools, and combinatorics is the method used to complete the whole – the cessation of movement.

Performed by: Saša Božić, Aleksandra Janeva Imfeld, Nikolina Pristaš, Pravdan Devlahović

The performance was produced in co-production by BADco. and Zagreb Dance Company.


4 je izveden iz kontinuiteta prvog motiva – iz prirode jednog pokreta. On načima niz što ga razvija, mijenja, prenosi s tijela na tijelo, ostvaruje stalnu interakciju između 4 plesača koji proizvode varijacije istog odvajajući se od prepoznatljivosti početnog motiva. Tijelo stvara unutar logike mehanike, iz povezanosti 4 elementa koji zajedno čine stroj ovisan o konstantnoj i nepromjenjivoj osovini – objektu u prostoru. Mehaničko razmišljanje postaje izazov, dijelovi tijela sredstvo, a kombinatorika metoda za zatvaranje cjeline – prestanak rada.
Izvode: Saša Božić, Aleksandra Janeva Imfeld, Nikolina Pristaš, Pravdan Devlahović

Predstava realizirana u koprodukciji BADco. i Zagrebačkog Plesnog Ansambla